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KiproUltra

Ki Pro® Ultra

Ki Pro Ultra is a next generation file based 4K/UltraHD/2K/HD video recorder and player with a built-in HD LCD monitor; supports edit ready Apple ProRes files in a range of video formats and frame rates up to 4K 60p, or Avid DNxHD MXF files at HD resolutions.

Ki Pro Ultra offers flexible input and output connectivity including 3G-SDI, HDMI and even fiber, for powerful and efficient large raster and high frame rate workflows.

Designed to be both portable with a built-in carry handle or rackmountable with half rack wide 2RU high dimensions, Ki Pro Ultra suits a wide range of production and post environments.

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Video Formats

• (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
• (4K) 4096 x 2160PsF 23.98, 24, 25, 29.97*
• (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
• (UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97*
• (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
• (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
• (HD) 1080i 25, 29.97, 30
• (HD) 1080PsF 23.98, 24, 25**, 29.97**
• (HD) 720p 50, 59.94, 60

 

*Only 4 x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division
**25 and 29.97 requires Record Type>PsF selection


Codec Support

• Apple ProRes 4444, 4K/UltraHD/2K/HD up to 30 fps
• Apple ProRes 422 (HQ)
• Apple ProRes 422
• Apple ProRes 422 (LT)
• Apple ProRes 422 (Proxy)
• Avid DNxHD HQX (220x)*
• Avid DNxHD SQ (145)*
• Avid DNxHD LB (36)**
• (HD) 1080p 23.98, 24, 25, 29.97, 50, 59.94
• (HD) 1080i 25, 29.97
• (HD) 1080PsF 23.98, 24, 25, 29.97
• (HD) 720p 50, 59.94

 

*Avid DNxHD only supported for 1080 and 720 resolutions
**Avid DNxHD 36 only supported for 1080p


Codec Container

• Apple ProRes .MOV
• AVID DNX MXF or .MOV


Removable Storage

• 2 x slots, AJA Pak SSD media Pak256, Pak512, Pak1000*
• Pak-Adapt-eSATA**, Pak-Adapt-CFast**

 

*4K/UltraHD 50, 59.94, 60 ProRes 422 (HQ) recording requires genuine AJA Pak1000 media
**Only with AJA qualified media


Video Input Digital

• 4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
• 4x Fiber LC*,  3G-SDI, SMPTE-297, 10-bit
• 4K/UltraHD 4:2:2 or 4:4:4 (4 x BNC or Fiber LC*)
• Dual Link 4:2:2, 4:4:4 (2 x BNC or Fiber LC*)
• Single Link 4:2:2, 4:4:4 (1 x BNC or Fiber LC*)
• 1x HDMI standard type A connector
• HDMI v2.0 YCbCr, 4:2:0 only at 4K/UltraHD 50, 59.94, 60
• HDMI v1.4b, RGB or YCbCr

 

*Optional SFP Modules


Video Output Digital

• 4 x 3G-SDI, SMPTE-292/296/424, 10-bit
• 4x Fiber LC* 3G-SDI, SMPTE-297, 10-bit
• 4K/UltraHD 4:2:2 or 4:4:4 (4 x BNC or Fiber LC*)
• Dual Link 4:2:2 or 4:4:4 (2 x BNC or Fiber LC*)
• Single Link 4:2:2 or 4:4:4 (1 x BNC or Fiber LC*)
• 1x HDMI standard type A connector
• HDMI v2.0 YCbCr, 4:2:0 only at 4K/UltraHD 50, 59.94, 60
• HDMI v1.4b, RGB or YCbCr

 

*Optional SFP Modules


Audio Input Digital

• 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
• 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
• 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout)


Audio Input Analog

• 8-Channel, 24-bit A/D analog audio, 48 kHz sample rate (1 x DB-25 TASCAM Pinout)
• +24 dBu full scale digital
• +/- 0.2 dB 20 Hz to 20 kHz frequency response


Audio Output Digital

• 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
• 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
• 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout)


Audio Output Analog

• Stereo unbalanced headphone jack (1 x 3.5mm jack) with volume control
• 8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1 x DB-25 TASCAM pinout)
• 2-Channel unbalanced 2 x RCA connectors


Timecode

• SDI RP188/SMPTE 12M via SDI BNC
• LTC input (1 x BNC)
• LTC output (1 x BNC)


Reference Input

• External, 2 x BNC
• Looping, nonterminating
• Blackburst or tri-level sync


Network Interface

• 10/100/1000 Ethernet (RJ-45)
• Embedded web server for remote control via REST
• Video Confidence Monitor via Web Interface
• Clip upload/download via Web Interface in DATA-LAN mode
• Configuration and Transport Control via WEB Interface

User Interface

• Rotary selector knob
• Dedicated, backlit transport controls and menu buttons
• Large 1280 x 720 TFT LCD display with Video Monitor and Menu/Status Overlays


Closed Captioning Support

• CEA-708, CEA-608


File System Support

• HFS+, exFAT


Size (w x d x h)

• 8.64″ x 9.34″ x 3.31″ (219.46mm x 237.24mm x 84.08mm)


Weight

• 5.6 lbs (2.6 kg)


Power

• Dual, redundant, 5.4A max, 35W-60W typical-65W Max
• 100-240 VAC 50/60 Hz (adapter)
• 12-18Vdc 4-pin XLR (chassis)


Environment

• Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F)
• Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F)
• Operating Relative Humidity: 10-90% noncondensing
• Operating Altitude: <3,000 meters (<10,000 feet)

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ProRes®422 and 444 Recording

Big on quality - but not on file size.

Ki Pro Ultra records 4K/UltraHD/2K/HD to five quality levels
 of Apple ProRes® including Apple ProRes 4444. This lets you choose the balance of image fidelity and file size that’s right for each individual production as well as having the flexibility to record directly to native file formats that are understood by most major editing systems.

Next generation UltraHD 60p and 4K 60p recording is attainable all the way up to Apple ProRes HQ when using
AJA Pak1000 SSD media.

By utilizing Apple ProRes, your project will have the best image quailty available, with manageable and affordable
file sizes.